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Yoruba - Yoruba sculpture photoessay of Ise Yoruba, ca. He said that he had attended the opening of their Ibeji exhibition and there were many wonderful Ibeji there.
While he was there he got to see the door below that was carved by Olowe of Ise and he said it was one of the most beautiful African objects he has ever seen. I don't know the details on the door as far as the history, but from what I gathered from his message the door has been in Africa and was recently purchased by Galerie Walu.
I have emailed my friend Jean David with Galerie Walu to see if he can provide me any additional information Yoruba sculpture photoessay I can pass along. I saw the door only in the photo below and thought it was absolutely amazing and wanted to share it with others. Below the door I have also placed a few images of other works by Olowe of Ise and a link to the exhibition of his works that was done at the Museum of African Art and a link to a great essay by David Zemanek on Yoruba carvers past and present.
You can click on the image of the door, as well as most of the photos on the page, to see the full size version of it and see a little more detail. Photographed in by Eva L.
Meyerowitz at the Ogoga's palace in Ikere, Nigeria If you look in the photograph, in the back is a door carved in the same style as the door from Galerie Walu. It is not the same door, just one in the same style.
Admired as an innovator in both Yoruba tradition and the West, Olowe produced works that embrace classic forms and dynamic compositions that convey the illusion of movement. Olowe was born in Efon-Alaiye and in his youth moved southeast to Ise. Under the patronage of its king, the Arinjale, he carved a program of architectural sculptures that established his artistic reputation.
He subsequently received comparable palace commissions from regional leaders throughout Yorubaland. During Olowe's lifetime, his works were exhibited both in and beyond the African continent. Ina pair of doors carved for the palace at Ikere were exhibited in London and acquired by the British Museum.
Since that time, Olowe's artistic brilliance was recognized and his works have spread to collections throughout the world. Olowe carved at least two other tiered posts similar to this one that depict a kneeling female figure supporting a mounted equestrian. In Yoruba art, figures on horseback usually represent kings, warriors, and hunters.
In this representation, a mounted warrior carries the tools of his profession, namely a spear in his left hand and a pistol in his right.
The warrior's head is emphasized with prominent eyes and beard. Features such as the warrior's vest, the saddle, and the muzzle of the diminutive horse are articulated through a deeply carved and textured surface of linear motifs. While the top portion of the composition is compressed, the bottom half creates a greater feeling of openness.
The lower tier features three figures—a female figure flanked by two male porters carrying containers that appear to be gunpowder barrels. All three figures in this lower passage repeat the same gesture of raised arms supporting a load that rests on the crown of the head.
This juxtaposition of levels is further accentuated by the manner in which they are aligned. In each of his other two-tiered veranda posts, Olowe followed the conventions of symmetry and frontality; here, however, he departs to create an increasingly complex form.
While the warrior faces directly forward, the caryatid figure below is turned counterclockwise so that she presents a three-quarter view. The larger porter figure, with one hand in his trouser pocket, appears in line with the mounted warrior, while only the back of the smaller porter is visible.
When the sculpture is viewed from the back, the smaller porter is visible in profile, and the backs of the warrior and female figure are aligned. This emphasis on asymmetry contributes to creating a feeling of dynamic movement, especially when viewed in the round. Most veranda posts were originally painted, but now only traces of the vibrant red, white, and indigo that were used to cover the figure remain.
The surface of this sculpture is now encrusted with a brown patina. Art historians have identified Olowe's signature style in a corpus of nearly fifty works.
His exceptional talent as a master sculptor was well known within, and beyond, the region in which he worked. He was honored by his contemporaries in the poetry of highly personal oral praise songs known as oriki.Here are fantastic examples of sentences and phrases with the word "depicting".
Sentences with the word: Synonyms. Antonyms Looking for sentences and phrases with the word depicting? Here are some examples. It's a well-constructed sculpture depicting the birth of a life form and a welcome respite from this dark exhibition.
Character art by Olga Drebas.. Eshu (known as Echú or Exú in Latin America and Esu in Nigeria) is an Orisha in the Yoruba religion of the Yoruba people. He is unpredictable, sly, and fond of pranks that can be cruel and disruptive.
We provide excellent essay writing service 24/7. Enjoy proficient essay writing and custom writing services provided by professional academic writers. He was born around to a Yoruba family in the Bant region of Dahomey (today Benin).
Find this Pin and more on Food for thought by Monica M Chanteuse Bohemian and Dreamer. Last African born in Africa brought to the United States by the transatlantic slave trade. YORUBA BEADED CONE Yoruba beaded cone hat.
YORUBA BEADED CONE Yoruba beaded cone hat. old-yoruba-ogboni-bronze-and-iron-staff-1 This is a small Yoruba Ogboni society bronze and iron staff, edan, with a very fine old bronze patina.
The single head is surmounted by a conical cap which is pierced for suspension. Yoruba Sculpture Photoessay; World Atlantic Black the of Altars and Art Americans Views dIvoire, Cote Faso, Burkina Ghana, Togo, Benin, photoessay, sculpture Yoruba advice essay.
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